Tag Archives: Consultants

5 Tips To Guarantee A Great Event

By Brian Buonassissi

I know this seems like quite the guarantee, but for years I have lived by these 5 tips and I can’t remember the last bad event I had. If you don’t do these five things you put yourself behind the eight ball. Since I do a ton of weddings, I’m going to tailor this post towards that, but it could really work for any private event.

Tip #1: I WANNA KNOW, I WANNA KNOW… Doing your homework before the event is critical. I could spend hours on this one tip. What I mean here is that you need to know everything you possibly can about the event (which means asking a ton of the right questions) — where your clients and their guests are from, make‐up of their crowd (college friends? first time both sides of the family are meeting?), what your clients like/dislike about weddings they’ve seen/been to, a site inspection of the venue, the hot buttons of the vendors you’re working with, equipment you’re using, and the music/mixes you’re going to play are all just a few of the many questions I ask. For the last one, I don’t necessarily mean come in with a prepared set-list, but never play a mix of a song (or any song in general) that you’ve never heard or played before. That used to burn me in my early DJing days more than I care to admit.

 

Tip #2: BACK THAT THANG UP… I can’t emphasize enough how important multiple backups are: I have all my formality tracks on 3 different backups (iPad, Phone, and thumb drive); I carry a duplicate external hard drive with all my music; I travel with 2 computers. I am over the top on this on so many levels. You don’t get a do‐over for private events (especially weddings). Having as many fail‐safes as possible is just smart business. It’s not a matter of ‘if’ but ‘when’ you will need to use one.

 

As I like to say, the event is often won or lost before you arrive.

 

Tip #3: BUT I’M ALWAYS ON TIME… This is about giving yourself a wide margin for error. By getting to the venue on time, I mean get there early – WAYYYY early (for me, I arrive a minimum of 4‐5 hours before the event). From not having to rush on set‐ up, to being able to test and check all gear, to rehearsing your important moments, playing through every formality track in its entirely, to putting your event planner/Maître D’ (and potentially the clients) at ease, this is just a best practice.

 

Tip #4: WORK, WORK, WORK, WORK WORK… In a perfect world, I would just mix my favorite tracks and the dance floor would be packed all night. Since we’re talking weddings, the dance floor would start during cocktail hour and it would be hard for them to stay seated for the meal because the music is that good. That happens at a lot of my events but not ALL of them. I have had a few tough ones. Sometimes it means I must go to a genre that I don’t particularly like or I may even have to go into cheese mode (assuming the client wants it). I never let my personal preference take precedence over what’s best for the event. I’ll keep grinding and do whatever it takes until I find the right formula for my crowd.

 

Tip #5: P P P POKER FACE, P P P POKER FACE… Playing off the tip above, let’s say your event is going terrible. Maybe your crowd is just a non‐dancing crowd or you just can’t seem to please anyone with the song selection. You’ve put in a ton of work but it’s just not happening. What’s the remedy? Smile and look confident – like you know exactly what you’re doing and that you meant for it to be like this. Never let the crowd know you’re struggling. Show that poker face. Make them believe you’re having a great time (even if it’s killing you inside) and often, it’ll get them out there. If nothing else, I’ve found it makes me feel better about the event at hand.

 

I’m going to post a Part 2 to this because there are many more things that I believe can ensure a great event. The ones above are the foundation. Follow them and you’re on your way to success.

 

Based out of NYC, DJ Brian B is a successful internationally traveling DJ/MC specializing in luxury private events. He runs a multi‐city mobile DJ/event business with offices in Southern California, Destin, FL and New York City. You can check him out at djbrianbofficial.com or bboyproductions.com

Is Facebook Live the end of the DJ Mix Tape? Part 1

By Tony Fernandez

Mix tapes and DJs go together like peanut butter and jelly. The mix tape is a DJ’s calling card. A DJ’s sonic resume. Personally, I come from a point in time when you actually used tape to do a mix tape. But we’ve all made mix CDs… for our girlfriends, boyfriends, travel tunes, business cards, promotional showcases — the uses are endless.

Fast forward to our current state of affairs: SoundCloud, Mixcloud, Facebook, Facebook Live are all great vehicles that allow DJs to share their talent with the world. However, there is conflict in the air. The waters are churning. There is strife between the DJ world and the digital world. The same vehicle(s) that have allowed DJs to share their vision and skills with the world are now clamping down on the sharing and showcasing of those skills.

I am not a lawyer, nor do I play one on TV, but I did have the following facts checked by a lawyer (who is also a DJ, producer, and copyright holder), so as to simply and correctly explain why mix tapes and the streaming of those mixes are being removed.

Let’s dig in….

DJs need to realize that the music they mix, play, use, and purchase is not “your” music. It’s natural to draw the conclusion that because you have purchased a song you’re allowed to play it publicly in a DJ set. Well, according to U.S. copyright law, this is incorrect.

There are several types of rights copyright owners must obtain under the law to distribute musical works, all of which are exclusive, including:

  • Public Performance (transmitting or performing the work in public)
  • Reproduction (copying/duplicating)
  • Digital Performance (internet streaming)

With that information in hand, we can move forward and explain why DJs aren’t allowed to post, stream, or share their mixes.

When a DJ spins at a nightclub, it’s incumbent on the venue to make sure they have a license for public performance. This license is acquired from the PROs (performance rights organizations). When the venue has a public performance license, it means that DJs can play recorded music registered with the PRO.

Radio stations pretty much work the same way. The difference is the radio stations license is for broadcast. Their license authorizes the radio station to play music on public airwaves.

Streaming services do not have a clear relationship with PROs. When a DJ creates a live stream and starts broadcasting music on the internet, that DJ becomes, in effect, a radio station. As such, he or she needs to have the appropriate licenses.

No licenses, no stream.

This is, unfortunately, where we find ourselves today – at the crossroads of artistic expression and the rights of copyright holders.

It’s apparent that copyright laws are falling behind: DJ sets are not a protected form of free speech. Our sets don’t generally fall under “fair use”.

As such, copyright takedowns happen.

What can you do about it?

Stay tuned for Part 2…

Based out of Richmond, VA, DJ Tony Fernandez has been a DJ, Remixer, Producer, Musical Soothsayer and Audio Gear Oracle since 1980. Find him on facebook. Email djtonytf@gmail.com

To Be Successful, You Need A System (A Cautionary Tale)

By: Mitch Taylor

Tell me if this sounds familiar.

Person “A” works in an industry for years, learning, implementing, developing excellence in product knowledge and outstanding customer service.  He thinks “Hey!  Why should the owner get all the money?  I should own my own business.”  So Owner A decides to open a new office, hangs his shingle and gets to work.  He does well for a while, working hard to take care of his customers, ensures that each customer is given attention to detail and eventually builds a decent client list.  He hires a person or two but not everyone seems to work out after they are given just a couple days of training and expected to sink or swim.

Person “B” works in an industry for years, learning, implementing, developing excellence in product knowledge and outstanding customer service. He then buys the business he was working in. He gets training in every aspect of his new business, hires staff, trains them properly vs. just throwing them on a computer, and enjoys the fruits of his labor with time off when it’s appropriate.

 Here’s the problem:  Owner A has spent too much time working IN his business vs. ON his business.  He has been focusing on minutiae rather than the big picture of where he wants his business to go 3 years, 5 years, 10 years down the road. He doesn’t reinvest in software that can help actively promote to his customer base.  He instead primarily focuses on sales and customer service (which is VERY important mind you) and fails to outsell his problems in other areas.

Meanwhile Owner B has put systems in place that will run efficiently, trained his staff appropriately and/or hired out experts to handle his business.  He has an active business plan, not just one that was drawn up years ago and filed in a drawer somewhere (if he even had one made at all).  He takes time to re-energize and rewards his staff for a job well done with incentives both personally and professionally.

Here’s the solution:  If you’ve read my new book, Sales 4 Event Pros [link: https://www.createspace.com/5646447 ] you’ve heard me state that there are six facets to any business: sales, marketing, planning, production, performance and operations, collectively referred to as a system. Systems are crucial and MUST be applied to every facet of your business — not just one or two.  Many people dislike the word “systems.”  They think that systems take the human element out of their connection with the client, or that numbers and systems can destroy the heart and soul of a business.  To the contrary, systems allow you to re-energize your heart and soul into your business.  Systems keep you sane.  They are VITAL to the life support of your business.  Without a system in place your business (and your wallet) will flat line.

Maybe you’re reading this right now and thinking “But Mitch, I suck at sales.” or “I’m no good at the operations side of things.”  HIRE people that you trust (interview at least twice and hire once) to handle those situations for you. 

Or know where to get help…

Do you need help at sales?  There’s workshops for that available at www.MitchTaylor.net/workshops or sign up for Jeffrey Gitomer’s Sales Caffeine ezine, or read any Gitomer book.

Need help at marketing?  Read Michael Port’s book Book Yourself Solid or Harry Beckwith’s Selling The Invisible or You, Inc.

Maybe planning is what you need.  Take a course in event planning through Association of Bridal Consultants or attend WeddingMBA.

If you’re looking for help in production and performance, watch improv. Study comedy.  Take Bill Hermann’s “The Entertainment Experience,” available at BillCreates.com.  Some of the best performance-based courses I’ve ever taken have comes from my mentors Mark and Rebecca Ferrell who can be found at MarkFerrell.com.  Randy Bartlett’s Advanced Mic Skills workshop and 1% Solution DVD has also been an integral part of my skill set.

Aah, operations — one of my favorites and quite possibly one of the most neglected aspects of our business.  Systems are extremely crucial here.  Lay out a calendar of when you need to accomplish things.  Set out your workweek in advance.  The best to learn from here is Matt Radicelli of Rock The House in Cleveland, OH.  Matt has recently started coaching entrepreneurs about their business and is well worth your investment.  Another resource for you is sba.gov.  Visit their website and browse areas where you need the most help and seek out trainings that can assist you.

It’s amazing to me how two different businesses, both in the same town, both in the same industry can have two COMPLETELY different outcomes.  Owner A is just going through life, without having a clear path or vision.  He more than likely won’t have anything to sell when he wants to retire because he IS his business.  Owner B can retire whenever he wants, gives back to the community when he can, and invests in his employees as well as new technology for his business.

Which one do you want to be and where do you want to go?  The key is in the work and counsel you seek.  Choose (research) wisely.

 

Mitch Taylor has worked in the Mobile Disc Jockey industry for over two decades, first cutting his teeth as an on-board club DJ for Carnival Cruise Lines. In addition to owning and operating Taylored Weddings in the Upper Peninsula of Michigan, he is a sought-after speaker and Gitomer Certified Advisor whose sales training, books, coaching and workshops are in high demand all over the country. 

3 Ways To Jump Start Your DJ Business

By: DJ Brian B

During the beginning of the year people tend to make New Year’s resolutions, not just personally but also professionally. I’ve never been a fan of this strategy because most people will go overboard with ambition by setting unrealistic goals and by February (or March if they’re lucky), things are back to the status quo.

That said I’ve always been a fan of “jump starts”. The first of the year is a good time to do this but I actually think you should do this 2-3 times a year or whenever your business could use a little kick in the pants. It’s similar to downing a 5-hour energy drink or getting an oil change that gets your vehicle back running smoothly. In doing so, you feel rejuvenated… until you need another jump start.

As it relates to the DJ business, here are 3 ways to jump start your DJ business:

  1. ATTEND AN INDUSTRY SHOW OR WORKSHOP… There are a few DJ shows located throughout the country at various times of the year that make it finding one that’s convenient pretty easy. Chances are your competitors aren’t going to these. This not only sets you apart, but you’ll get a nugget or two that they will not be privy to. Most shows have exhibit halls where you get a chance to see all the new gear (some with discounted show specials for purchase). Another option is to develop your own craft by attending some premium workshops (PHDJ, MarBecca, The Event Experience, etc.). If you’ve “been there done that” with the DJ shows/workshops, why not look into an industry specific show? If you are a wedding DJ, consider the WeddingMBA Show. If you are more of a Corporate Event DJ, consider the TSE Show. Those two have more than just DJs in attendance and you’ll get yet another perspective that may set you a part in the DJ world.
  2. BRING IN A CONSULTANT… From time to time, I want to get an outside perspective on my business. This doesn’t need to be a yearly check-up, although the more you do it, the better off you will be. Look for someone who is ahead of where you are and where you’d like to be. They should look through your entire business (systems, marketing, etc.) and give feedback on things you’re doing right and where you can improve. Invaluable insight can be gained from someone not in your bubble. It has been worth every penny for me to fly in someone and get a day or so of their time. I’ve made that back and then some.
  3. READ… Harry S. Truman said, “Not all readers are leaders, but all leaders are readers.” I firmly believe you should always be reading something. Here are two recommendations for you (note: I’m in no way endorsed by either of these publishers or authors; I’ve just found them to be very helpful for me). The first is “Built To Sell” by John Warrilow and the second is “Profit First” by Mike Michalowicz. Both have fantastic takeaways that can help any business.

Simple steps that allow you to take some time to work ON the business instead of IN the business. If you can do all three, fantastic. If not, pick just one. You will be so glad you did.

 

Based out of NYC, DJ Brian B is a successful nationally traveling private event headlining DJ/MC. He runs a multi-city mobile business with offices in Orange County, Calif, Destin, FL and New York City. You can check find him at djbrianbofficial.com or bboyproductions.com