Tag Archives: promo only

“I Turned Down My First Client”

By Brian Buonassissi:

 

Here’s a statement I never thought I would make: After some 22 years of business I turned down my first client. Last year, I was listening to one of the PHDJ podcast episodes hosted by Mike Walter and Joe Bunn (if you’re not subscribed to it, you need to be) and the question came up if either of them had ever turned down a client? Like me, up to that point, neither of them had. However, the question gave me serious pause to think about clients that were “questionable.”

I can think of a handful of clients our company has taken on where, when we went to contract, I had a feeling they were going to be trouble clients. In the end, they all ended up to be exactly that – every single one of them. In some cases, we had to give a partial or full refund. Listening to the podcast, I began to ask myself, “Why did we take these clients on?”

The reasons varied. Part of me didn’t want to feel defeated. I wanted us to take on the challenge of making these clients have the party of their life. Another part of me may have wanted to make sure our DJs were working and there was fear that another booking may not come. And then there was another part of me that wanted to bring in the revenue.

As my DJ profile and demand has grown over the years, I’ve had the luxury of being able to pick and choose which clients are “the right fit” for me. If a client wasn’t a good fit, I’d send it down the chain to one of our other guys. That type of client didn’t really affect me as our other DJs had to deal with it and I masked it by saying, “It was good training” for them.

It hit in me in the face that I was being rather selfish. That started a process over the last few months of 2017 in identifying just who our ideal client was. I’ll share some of that with you.

Our ideal client:
*is between the age of 22-35
*is kind and generous
*is creative – loves uniqueness
*is cutting edge – enjoys social media and mobile apps, open to incorporating the latest and greatest
*Loves a variety of different music or at least has an appreciation for many different genres
*has an awareness that a DJ can make/break their event
*easily recognizes and appreciates value over low quality
*is willing to collaborate with us (there’s a mutual trust between us)
*has a crowd that loves to dance any chance they get
*communicates well and appreciates timely responses and reciprocates

That’s our Top 10 list. Once I identified our ideal client, it really put me (and our sales staff) in the driver’s seat and we found ourselves interviewing our clients just as much as they were interviewing us before taking on a job. There is still nervousness that I may lose out on revenue but the negatives of taking on a client that isn’t a fit completely outweigh any positives.

Back to the client I turned down…in a nutshell, they didn’t pass muster on 5 of the 10 on our list. It was enough of a warning sign for me that I knew this wasn’t the right client for us. I sent the client a contract anyway. However, when they came back with changes they wanted to see to the contract, it was like a little nudge from the heavens telling me to abort.

I spent some time thinking through how to communicate that I was going to rescind the contract offer; the last thing I wanted to do was for the planner to stop sending referrals (some of our best parties came from her). I talked to the planner first (over the phone) and she totally understood and even said she wished she had done the same. I tried calling the client twice but got v/m both times, so I drafted a nice email and sent it off. I never heard back. Again, more confirmation that I made the right call.

Have you ever had a trouble client? What have you done? It’s not a matter of if you’ll ever have one but when. If you take one thing away from post today, I would encourage you to identify your ideal client with no more than 10 bullet points. The process challenges you to real drill down. I think it will do wonders for your business. It has for mine.

Based out of NYC, DJ Brian Buonassissi is a successful internationally traveling DJ/MC specializing in luxury destination private events. He runs a multi-city mobile DJ/event business with offices in Southern California, Destin, FL and New York City. You can connect with him at brian@djbrianbofficial.com

New Pioneer’s DJM-REC recording app enables DJs to easily record mixes

Pioneer announced the DJM-REC today, a new app for iPhone and iPad which enables the easy recording and sharing of high-quality DJ mixes.

All types of DJs like to record their mixes in order to review performances and raise their profile via online sharing. However, it can be a stressful process. Connecting a recording device to the back of the mixer can be complicated work in a dark DJ booth, and adjusting the recording level to avoid clipping is also a troublesome task. Once the set is over, making a track list and uploading it to different online platforms along with the audio is a time-consuming chore.

DJM-REC solves all these problems, taking advantage of our experience in designing DJ Mixers including the club-standard DJM-900NXS2. The app offers simple connection, high-quality audio recording plus easy online sharing and streaming.

DJM-REC is available in the App Store at the price of $9.99 from 23rd January 2018.

You can try DJM-REC free for 30 days to get to know all of its features. Mixes recorded during the trial period will remain available for listening and sharing after the trial has ended. To continue recording and using all the app’s features after the trial period has ended, you can upgrade to the paid version.

DJM-REC compatible mixers are as follows: DJM-TOUR1, DJM-900NXS2, DJM-750MK2 and DJM-450

To use DJM-REC, update the mixer’s firmware to the latest version.

Find out more about DJM-REC.

KEY FEATURES OF DJM-REC

  • Simple connection to DJM series mixers

Install DJM-REC on your iPhone or iPad, then simply plug into any DJM mixer which has the digital send/return feature using a single USB cable. The port is on the top of the mixer rather than the back, so connecting is a breeze even in a dark DJ booth.

  • High-quality recording which minimizes clipping and distortion

DJM-REC can control the peak limiter in the DJM Mixer. Tap the button to enable this feature and alleviate digital clipping. Audio from a digital mixer can be recorded directly in digital format without the need for analogue conversion.

  • Easily share your mixes with the world

Effortlessly live stream your mix through YouTube, Facebook Live, Periscope, Instagram and Snapchat via DJM-REC. Easily upload your recorded mixes, digital recordings of your analogue tracks, and remixed tracks created using features and FX on DJM mixers to cloud services such as Mixcloud and Dropbox.

  • Auto time-stamp for effortless track list creation

Time-stamps for tracks are automatically created thanks to the information transmitted from the DJM mixer, such as the fader positions, to the app. The time-stamps are editable and making track lists is easy, as you can edit track information per time-stamp within the app.

  • Powerful club-standard sound, remastered easily

Swipe the Loudness slider on DJM-REC to easily increase audio pressure. Punchy, heavier, vibrant bass sound that can’t be obtained by simply raising the signal level of the low range is created when you swipe the Sub Bass slider, as this creates new signals based on the track’s input signals. Old tracks can be refreshed with a powerful club sound, just like the latest releases.

  • Other features
  • Recorded sound on your iPhone/iPad can be input into DJM series mixers using the digital send/return feature.
  • Analogue recording in the app is possible using the microphone function on an iPhone/iPad with an external microphone when your device isn’t connected to a DJM mixer.

DJM-REC Specifications

OS(iOS) iOS 8 or later
iPhone iPhone X, iPhone 8, iPhone 8 Plus, iPhone 7 Plus, iPhone 6s Plus, iPhone 6 Plus,

iPhone 7, iPhone 6s, iPhone 6,

iPhone 5s, iPhone SE

iPad 12.9-inch iPad Pro, 10.5-inch iPad Pro,

9.7-inch iPad Pro, iPad Air 2, iPad Air,

iPad mini 4, iPad mini 3, iPad mini 2,

iPad (5th generation)

Display Resolution Retina
Playable Files WAV(Sampling rate: 44.1/48 kHz, Bit depth: 24bit)

AAC (bit rate 64kbps, 128kbps, 192kbps, 256kbps, 320kbps)

 

The Triangle: Conferences, Workshops, & Coaching/Mentoring

By Brian Buonassisi:

As we embark on a new year, I think it’s important to assess where you are at and where you want to go in 2018. I’m not talking about fickle New Year’s Resolutions but more to steering your business in the right direction. For some, no major course correction is needed. For others, you many need to completely change directions due to where the wind in your market is taking you. Over the years, I’ve found that there’s a pattern to growth and it’s not a linear thing. It’s like a triangle – you keep going through it. You’re either in need of conferences, workshops or coaching/mentoring. All of them have their place but I thought as you start thinking through your 2018 budget, this is a perfectly timed topic to talk through each one.

Conferences
There’s really 3 “national” DJ conferences out there: Mobile Beat, Marquee, and the DJ Expo. While you can definitely pick up some things to help your business at any of them, these conferences are mainly inspiration and network heavy. To encourage attendance, the show producers have to cast a wide net and cover as broad material as possible. You have the beginners all the way through to the industry veterans. It’s a great way to re-charge with your DJ brothers and sisters as well as take in a ton of information over a couple days. However, the reality is that it could take weeks if not months to go through all your notes and implement a strategy to employ some of it.

Workshops
Typically, workshops are more narrowed in scope. You are drilling down on a specific subject matter (or two) rather than a large range of categories. For example, you may want to improve with mic etiquette or scratching or sales, etc. If there’s an area that you feel you could use some development in, finding a workshop to address that area could be the solution. The other advantage to workshops is that you interact with those who are looking to learn the same type of subject matter. That can bond you together with a person you may never have had a chance to meet otherwise.

Coaching/Mentoring
So far it may appear like each one of these options is a step up from the other. While coaching/mentoring could feel that way, I honestly think it could be a great first step. Rather than undoing bad habits or mistakes, you are able to deal with issues in real time. Finding a coach or a mentor isn’t cheap (not for the good ones at least) but it saves you a lot of money in in the long run. These sessions are either in one on one settings or in a small group (10-20 people) whereas a conference may have thousands and a workshop could have up to a hundred or so. The constant touches (at minimum you’re meeting a few times a year but most meet weekly or monthly) and accountability with coaching/mentoring makes a ton of difference in not only getting started with a plan but staying the course.

For myself, I’m in the coaching/mentoring category this year. Not only am I being coached in 2018 but I’m also coaching others. I’m only a few days in and it’s already been rewarding. What are your needs? What category do you fall in? It could be you need a little of all three. The reality is that doing any of these three things is going to put you ahead of 90% of your competition and give you a leg up. I hope to see you in one of these settings in 2018 and if I can help you at all, don’t hesitate to reach out.

Based out of NYC, DJ Brian Buonassissi is a successful internationally traveling DJ/MC specializing in luxury destination private events. He runs a multi-city mobile DJ/event business with offices in Southern California, Destin, FL and New York City. You can connect with him at brian@djbrianbofficial.com.

Social, Mobile and You (Second in a Series)

By Mitch Taylor:

Last month we talked about how the vast majority of people have their smartphone within three feet of them at all times and the three important items you need to be sure you have on your mobile website to capture their attention.
This month, we’ll be highlighting the social side of social media (Facebook, YouTube, Twitter, LinkedIn, Snapchat, Pinterest, etc.). For this article’s purposes, we’ll be focusing on the biggest of the social media platforms, Facebook.

The best way to navigate Facebook is to hire a professional to handle your contests or at minimum consult with one to find the best contest app for your desired outcome. Why? You must be careful with the methods you use to generate “likes.” Facebook has rules, especially regarding contents, and failure to adhere to those rules can get your page taken down, requiring you to build your entire Facebook presence again.

Taylored Weddings has recently consulted with Caryn Terradas of SpeakEasy and has had great success with her abilities to increase our exposure and outreach on our Facebook page. That said, do your due diligence in consulting an expert; there are many fly by night companies trying to get into the game of social media management.

Okay. You’ve consulted with an expert and determined what you want to achieve with your page. Now what do you say? My good friend Brian Kelm, Master of I Do, has a great approach and one that I have adapted to my business with great success.

1) Be sure to friend your clients on Facebook. This will allow their friends to see your postings when you tag them in one.

2) Every 30 days leading up to your client’s event date, go to their profile and find a picture that best represents them, then click “share, along with a comment about couple and their upcoming event; i.e. “@YourCompanyName is looking forward to celebrating with @Heather Smith and @John Johnson in just four weeks from today. Surprises galore in store with fun and smiles all day! So glad they chose @YourFavoritePhotographer to capture their moments!”

By including the venue and other vendors you actively promote them as well. It’s a win-win for everyone! You may also want to try a Vendor Of The Week Bridal Tip Tuesday, Wedding Wish Wednesday, Tradition Thursday, or Friday Fun Facts. I know one company that does well having a trivia contest and others who put up YouTube videos on their wall and have their fans post their favorite clips as well.

The bottom line with any social media is that you must be GENUINE and interactive. Today’s clientele can spot a phony and a sales pitch from a mile away. Provide value first, cultivate the relationship and the referrals will come!

About: Mitch Taylor owns and operates Taylored Weddings and can be reached via email at mitch@mitchtaylor.net. For more info about his Creating Connections books and workshops visit creatingconnections.biz

The Pros and Cons of Pre-Made Sets

By Tony Fernandez:

So let’s talk about music. I know we’ve discussed different things and different aspects of music, but this time around, I’d like to bring attention to a particular aspect of our DJ music world — the sets or blocks of music that DJs seem to be constantly looking for, specifically, pre-made sets.

Allow me to put a finer point on it: I don’t mean sets, in the sense of theme. We ALL do that. We can be at any number of events and we can rifle through a set of 70’s, 80’s. 90’s, 00’s, classic rock, country, Top 40, Rap, etc. That’s part of our job. What I do mean is when you’re in your flow, you ALWAYS play Song A, Song B, Song C, and Song D, in THAT order, EVERY time.

I’ll admit right up front, I don’t get it. I don’t see the necessity or advantage of discovering, creating, and then utilizing pre-made sets for the next dozen gigs, or years, it seems.

On one hand, I do get that we are creatures of habit. We discover a chain of songs that when linked together create a great response from our floors. Then we may recycle that same “set” again if we get into a pinch. “It worked last week, so let’s give it another run…”   I even get that (usually) there are a new group of people, so the same set you ran last week, is new to the current group of people.

On the other hand, what I don’t get is why are DJs asking other DJs for their pre-made sets? Aren’t you supposed to be figuring out the music for EACH of your events/crowds? If we treat each event we do as a unique and singular event, then having pre-made sets kind of defeats the purpose of being a DJ.

While all of these other DJs are sharing their sets, why would anyone think someone else’s set would work for your crowd?

I have to concede to the fact: I realize and recognize that DJs are individuals. As such, their experience, knowledge, and skill level is going to be vast and wide. I’m sure not trying to filter these thoughts and questions through my personal filter. I don’t expect others to be as big of a music nerd as I am. I sure don’t expect people to mix and program the way I do. Nor do I expect others to just do it THIS way because that is the ONLY way.

On a slight tangent…that is one of the beautiful things about being a DJ. There is no ONE WAY to spin. I love reading DJ’s play logs and listening to other DJs spin a set to get ideas and inspiration. Not to mention maybe picking up a dope track or three that I may have slept on.

My point is this: Don’t be complacent. Be proactive in your music knowledge and your programming. Practice. Listen. Put yourself into scenarios where instead of doing homework, (no one likes doing homework) you’re opening your artistic side of your brain to new musical possibilities. The more you do this, the easier the ideas will come.

I have seen DJ friends and colleagues that became apathetic and unindustrious. They suffered over time because they became stale and predictable. They aren’t working. Don’t become the complacent DJ. Don’t be lethargic in your approach to discovering music. You may just elicit a creative side in your repertoire, and that would be a beautiful thing.

Keep ‘em spinning.

Based out of Richmond, VA, DJ Tony Fernandez has been a DJ, Remixer, Producer, Musical Soothsayer and Audio Gear Oracle since 1980. Find him on facebook. Email djtonytf@gmail.com

The True Cost of Music Piracy

By Glen Ervin:

As convenient as the interwebz has made getting the music you need, the low-cost and invisibility of the ‘net has led to an explosion of too good to be true offers from websites masquerading as legitimate record pools. Think of them as the modern day version of that guy in the alley selling “real” Rolexes out of the trunk of his El Dorado… with access to your hard drive.

Fortunately there are a few of ways to tell which sites are operating in the shadows; the easiest is to keep an eye out for those selling legacy releases. The labels don’t allow it (why give away your best sellers?). Hence, any site offering unlimited access to a legacy catalog is not partnered with the labels or paying the artists or labels who provide their music.

Why should you care? 

The Institute of Policy Innovation estimates that global music piracy causes $12.5 billion of economic losses every year. That breaks down domestically to 71,060 music industry jobs lost since the days of Napster — a loss of $2.7 billion in workers’ earnings that accounts for $291 million in personal income tax and $131 million in lost corporate income and production taxes.

That’s $422 million dollars that could be going towards schools, roads, libraries and more – gone.

Let’s put that in terms every mobile operator can understand…

Economic losses on a scale that’s followed by nine zeros impacts everything from how much you charge for a wedding to how much time you get to spend with your family (instead of wearing all the hats required to run your business) to the car you drive — not a problem, by the way, for the $19.99 all you can download guys who keep all your money and drive Range Rovers.

Which brings us back to our friend in the alley and his deals on wheels…

If it seems to good to be true… it is.

Give your money to some hustler looking to turn downloads into dollars at the artist’s expense and you’ll just be feeding the dog-eat-dog world that keeps us all working for less than we deserve.

It’s up to you to decide what’s need and what’s greed.

After being turned out to pasture following a 16-year club residency, Glen Ervin finds himself gainfully employed as Promo Only sales manager, media consultant and staff writer.

Pioneer DJ’s DM-40BT/DM-40BT-W desktop monitor speakers with Bluetooth® wireless technology

Pioneer has upgraded their popular 4-inch active desktop monitor speaker, the DM-40, adding Bluetooth® wireless technology to offer versatile connectivity in the DM-40BT (black) and the DM-40BT-W (white).

DM-40BT-K_prm_angle_low_0929-848x649

The DM-40BT/DM-40BT-W active speakers create a versatile home set-up, producing a rich, balanced sound that’s ideal for producing and DJing. Drawing on our professional speaker technology, we’ve packed the compact speakers with Bluetooth® wireless technology, support for the high-quality Qualcomm® aptX™ audio codec, and AAC support.

 The Groove Technology inherited from our highly-reputed active monitor speakers delivers a smooth bass response, while the DECO1 technology gives a wider sweet spot and allows clear audio quality and rich bass sound at the same time, despite the speakers’ compact desktop size.

The DM-40BT/DM-40BT-W active monitor speakers are available now at an MAP of $199 per pair.

Find out more about the DM-40BT/DM-40BT-W.

KEY FEATURES OF THE DM-40BT/DM-40BT-W SPEAKERS

  1. Bluetooth® wireless technology, support for Qualcomm® aptX™ high-quality sound reproduction and AAC

In addition to Bluetooth® technology, allowing you to play tracks from smartphones and tablets wirelessly, Qualcomm® aptX™ and AAC support lets you enjoy even higher quality sound reproduction.

  1. Front-loaded bass reflex system with grooves for uninterrupted, rich bass

4-inch fibreglass woofers output bass from the front, and the bass ducts feature grooves to reduce air friction so you’ll feel a tight, punchy bass even if you put the speakers close to the wall.

  1. Soft dome tweeters with convex diffusers deliver a 3D, high frequency sound

Pioneer has fitted the ¾-inch soft dome tweeters with convex diffusers that use DECO technology from TAD2 Labs. The diffusers channel high frequencies left, right and up – so you’ll enjoy a wide sweet spot and 3D stereo sound wherever you sit or stand.

  1. Class AB amp and time alignment ensure balance across the frequencies

The tweeter and woofer are carefully positioned to eliminate crossover and ensure a well-balanced response across the frequencies, while a Class AB amp ensures perfect clarity with low distortion and no loss of quality.

  1. Curved front edges reduce resonance for a clean sound

The cabinet’s curved front increases its rigidity and reduces external diffraction – as well as looking good in your home set-up.

  1. Other features
  • Volume control dial is on the front panel for ease of use
  • RCA and stereo mini jack inputs
  • Headphones output

1 Diffusion Effectual Convexity by Olson (DECO) is a TAD proprietary technology for improved directionality.

2 Technical Audio Devices Laboratories (TAD Labs) is a Pioneer sub-brand preferred by professional studios since 1978.

DM-40BT/DM-40BT-W specifications

 DM-40BT-K_prm_rear_low_0929-848x610

Model 2-Way Active Speaker
Tweeter (HF driver) 3/4 inch (19 mm) soft dome
Woofer (LF driver) 4 inch (102 mm) cone
Amplifier output Lch : 21 W/4 W, Class AB
Rch : 21 W/4 W, Class AB
Terminals Input RCA × 1, 3.5 mm stereo mini plug × 1
Output Headphone × 1
Version Bluetooth® Specification Ver. 4.2
Output Bluetooth® Specification Class 2
Supported Codec SBC, AAC, Qualcomm® aptX™, Qualcomm® aptX™ Low Latency
Frequency response 70 Hz – 30 kHz
Input impedance 10 kΩ
Power consumption 35 W
Power consumption when waiting (standby status) 0.3 W
External dimensions

(W x D x H)

Lch 146 mm x 223 mm x 227 mm
Rch 146 mm x 210 mm x 227 mm
Weight Lch 2.7 kg
Rch 2.2 kg
Accessories Power cord x 1

Audio converter cable (3.5 mm stereo mini plug to RCA) x 1

Speaker cord x 1

Bottom cushion x 8

Pioneer has designed a new standalone DJ sampler: the DJS-1000

Pioneer has designed a new standalone DJ sampler that enables you to create unique sounds and phrases using an intuitive DJ-friendly interface: the DJS-1000.

Many of today’s professional DJs use electronic instruments and production gear in

live sets to help make their performances creative and unique. With an easy-to-use interface, 16 multicolored step input keys, 16 multicolored Performance Pads, a host of inputs and outputs, plus various other performance features, the DJS-1000 is the ideal musical instrument to take into the booth and propel your sets to the next level.

Add the DJS-1000 to your DJ set-up and you can intuitively create unique sounds and phrases in advance of your set, or on the fly, then sequence and loop them as you wish. Improvise a new groove by syncing and mixing with tracks playing on other equipment such as CDJs using the Beat Sync1, tempo slider and nudge features. At a glance, the 7-inch full-color touch screen gives you all the information you need to perform, thanks to easily recognizable sequence patterns and instrument icons assigned to the Performance Pads.

Other features installed on the DJS-1000 include Live Sampling, which enables you to easily sample input sounds and immediately use them as independent tracks or as FX to add to your mix.

The DJS-1000 will be available from late October 2017 at an MAP of $1,199.

DJS-1000_prm_top_low_0926

Watch the introduction video or find out more about the DJS-1000.

KEY FEATURES OF THE DJS-1000

  1. Intuitive user interface

Step sequencer

Easily create a new groove by tapping the 16 large, multicolored step input keys. You can keep an eye on sequence information on each track thanks to the keys’ changing colors.

Multicolored Performance Pads

Use the 16 large rubber pads to trigger the tracks you’ve assigned samples and loops to. Each one is equipped with multicolored illumination and highly accurate velocity detection, so you can increase or decrease volume with the amount of pressure you apply.

Touch strip

By simply touching the strip, you can quickly change the pitch when using the pitch bend feature, or play a drum roll by using the note repeat feature. Customize parameters for even more creative options.

  1. 7-inch full-color touch screen

Tap the LCD display to instantly access the screen of your choice:

  • Home screen: View information on the sample assigned to each track thanks to the instrument icons and colors which are linked to the pads.
  • Sequence screen: View the sequence pattern currently playing.
  • Mixer screen: Adjust the volume balance of each track.
  1. Accurate syncing with various external devices and systems

In addition to clock synchronization with MIDI devices, the DJS-1000 includes the Beat Sync function which can synchronize a performance by beat/bar with a track playing on a CDJ-2000NXS2 or XDJ-1000MK2 set-up using PRO DJ LINK. Use the tempo slider and the nudge buttons to quickly adjust tempo and beat position manually, just like you would on a turntable.

  1. Powerful performance features

Live Sampling

Easily sample input sounds and immediately use them as individual tracks. The sampled sounds are automatically synchronized with the current sequence to play in a loop, so they can be dropped straight into a live remix. You can sample any input source, including audio from a turntable, via your mixer.

FX

Add various FX to tracks with ease, changing the tone on the fly. You can apply FX such as echo, reverb and filter to individual tracks, a group of tracks, or all tracks.

  1. Perfect fit in the DJ booth

DJS-1000_set_A-2_low_0926

The DJS-1000 is designed to fit perfectly alongside the CDJ-2000NXS2 and DJM-900NXS2, creating effortless unity in the DJ booth.Other features

  • Support for USB devices – manage your projects and samples easily
  • Over 2,500 on-board Loopmasters samples – start performing with the DJS-1000 straight out the box
  • Support for DJS-TSP Project Creator2 easily create projects and SCENE3 files on a PC/Mac
  • Support for project files created on the TORAIZ SP-16

*1 Beat Sync works with compatible DJ systems when playing tracks that have been analyzed by rekordboxTM

*2 To be released on the Pioneer DJ website in mid-October

*3 Information on how the 16 samples are assigned to a track on the DJS-1000

DJS-1000 Specifications

DJS-1000_prm_rear_low_0926

Playable media USB Storage device(flash memory/HDD, etc.)
Playable file WAV、 AIFF (16 bit / 24 bit、 44.1 kHz)
USB storage support file systems FAT、FAT32、HFS+
Input ports INPUT x 1 (L/MONO and R、 1/4 inch TS jack)
Output ports OUTPUT1 x 1 (RCA)
THRU / OUTPUT2 x 1 (1/4 inch TS jack)、
PHONES x 2 (1/4 inch stereo jack、 3.5 mm stereo mini jack)
Other ports USB (Type A) x 1 、 USB (Type B) x 1
MIDI IN (5P DIN), MIDI OUT / THRU (5P DIN)
LINK x 1 (LAN 100Base-TX)
Power requirements AC 110-220V (50 Hz/60 Hz)
Electricity consumption 20 W
Max external dimension
(W x D x H)
320.0 mm x 421.6 mm x 110.1 mm
Weight 5.4 kg

 

 

Pioneer releases limited edition CDJ-2000NXS2-W and DJM-900NXS2-W

Pioneer is releasing exclusive new versions of their flagship multiplayer and DJ mixer in a brilliant white finish. A strictly limited run of 1,200 CDJ-2000NXS2-W decks (200 for the USA) will be produced, along with 600 DJM-900NXS2-W mixers (100 for the USA). Each unit will be stamped with a distinctive plaque featuring a unique serial number.

The CDJ-2000NXS2-W and the DJM-900NXS2-W will be available from October at an MAP of $2299 and $2299 respectively.

Find out more about the CDJ-2000NXS2-W and the DJM-900NXS2-W.

KEY FEATURES OF THE CDJ-2000NXS2-W

CDJ-2000NXS2-W_prm_angle_low_0825-848x658 

  • Next-generation high-resolution audio with support for FLAC/ALAC files
  • Full-colour touch screen with fast browsing and detailed track information including Wave Zoom, Needle Countdown, Phase Meter and more
  • Multiple performance features for almost endless creative possibilities
  • Pro DJ Link enables even more features
  • See full rekordboxTM track information including colour-coded Memory Cues 

KEY FEATURES OF THE DJM-900NXS2-W

DJM-900NXS2-W_prm_angle_low_0824-848x625

  • Highest quality audio components for a warm, detailed sound
  • Smooth curves on the EQs and channel faders for precise, seamless mixes
  • Detailed control of a wealth of FX plus an independent send/return
  • Two USB ports, four phono inputs and DVS support for total flexibility and seamless DJ handovers
  • Pro DJ Link via LAN or USB for even more scope and flexibility

CDJ-2000NXS2-W SPECIFICATIONS

CDJ-2000NXS2-W_prm_top_low_0825-848x1071

Playable media iPhone/iPad/iPod touch, Android phone, etc.

USB storage devices (flash memory/HDD, etc.)

Computers (Mac/Windows PC), Audio CD, CD-R/RW,

DVD±R/RW/R-DL, SD card

Playable files WAV, AIFF, FLAC, Apple Lossless

(Sampling rate: 44.1/48/88.2/96 kHz, Bit depth: 16/24-bit)

 

MP3

(Sampling rate: 32/44.1/48 kHz, Bit depth: 16-bit)

 

AAC

(Sampling rate: 16/22.05/24/32/44.1/48 kHz, Bit depth: 16-bit)
* rekordbox for iPhone: MP3 and AAC only

USB storage support file systems FAT, FAT32, HFS+
Frequency response 4 Hz to 40 kHz
S/N ratio 115 dB (JEITA)
Total harmonic distortion 0.0018% (JEITA)
USB ports USB A port x 1, USB B port x 1
Audio output ports Audio Out (RCA) x 1, Digital Out(Coaxial) x 1
Other ports LAN (100Base-TX) x 1
Audio output voltage 2.0 Vrms
Power requirements AC 110-240 V, 50/60 Hz
Max external dimensions

(W x D x H)

320.0 mm x 414.4 mm x 113.2 mm
Weight 5.7 kg

rekordbox dj SYSTEM REQUIREMENTS

Compatible OS

(Windows)

Windows 10, 8.1, 7 (the latest service pack)

Intel® processor Core™ i7, i5, i3

Intel® processor Core™ 2 Duo 2.0 GHz or above

4GB or more of RAM

Compatible OS

(Mac)

macOS Sierra 10.12 (updated to the latest version),

Intel® processor Core™ i7, i5, i3

Intel® processor Core™ 2 Duo 2.0 GHz or above

4GB or more of RAM

Hard Drive 250MB or more of free space (not including space for storing music files, etc.)
Sound Audio output to speakers, headphones, etc. (internal or external audio device)
USB port A USB 2.0 port is used to connect a controller or a mixer, and export track files to a USB storage device such as a flash drive and a hard disk drive
Playable music file FLAC, ALAC, WAV, AIFF, MP3, AAC
Internet connection An internet connection is needed to create a rekordbox user account and to download and activate the software
Display resolution 1280 × 768 or greater

 DJM-900NXS2-W SPECIFICATIONS

         DJM-900NXS2-W_prm_top_low_0824-848x1024

Number of channels 4 x audio channels, 2 x Mic channels
Input ports Digital In x 4 (Coaxial), Line x 4 (RCA), Phono x 4 (RCA), Mic x 2 (XLR & 1/4-inch TRS Jack x 1, 1/4-inch TRS Jack x 1)
Output ports Master Out x 2 (XLR x 1, RCA x 1), Booth Out x 1 (1/4-inch TRS Jack), Headphone Monitor Out x 2 (1/4-inch Stereo Phone Jack, 3.5 mm Stereo Mini Jack), REC Out x 1 (RCA), Digital Out x 1(Coaxial)
Other ports Send x 1 (1/4-inch TS Jack), Return x 1(1/4-inch TS Jack), USB (Type B) x 2, USB (Type A) x 1, Link x 1 (LAN 100Base-TX)
Sampling rate 96 kHz
D/A converter 32-bit
A/D converter 24-bit
Frequency response 20 Hz to 40 kHz (LINE)
Total Harmonic Distortion ratio 0.005% or less (LINE-MASTER1)
S/N ratio 105 dB (LINE)
Max external dimensions

(W x D x H)

333.0 mm x 414.2 mm x 107.9 mm
Unit weight 8.0 kg

Disclaimer:

* rekordboxTM is a registered trademark of Pioneer DJ Corporation.

* Mac, Mac OS and OS X are trademarks of Apple Inc., registered in the US and other countries.

* Windows® is a registered trademark of Microsoft Corporation in the US and other countries.

* Intel® and Intel Core™ are registered trademarks of Intel Corporation in the US and other countries.

* The names of companies, product names, and technology names mentioned herein are the trademarks of their respective owners.

 

Website: http://www.pioneerdj.com/

Pioneer Pro Audio introduces the XY-3B and XY-2

Two powerful new speakers are joining Pioneer Pro Audio’s XY Series: the XY-3B three-way full range speaker and the XY-2 mid-high speaker.

XY-3WAY_XY-218HS_stack_angle_low_0908

Both are designed to deliver natural audio at the high sound pressure level (SPL) required for large venues and outdoor events.

The XY Series is well-known for providing excellent sound quality to nightclubs and music venues around the world. With the introduction of the XY-3B and XY-2, which offers the highest output in the Series, even more venues and events can benefit from an XY Series sound system tailored to their specific needs.

The next-level XY-3B was developed over the course of three years using 3D printers to create natural sound with high output. It’s been tested at numerous international festivals and outdoor events such as Xtrema Outdoor; Belgium and Netherlands; Lovebox, London; and Tomorrowland, Belgium. The XY-3B received enthusiastic feedback every time.

In the new XY-3B, an 8-inch cone driver delivers clean and precise mid-range frequencies using Pioneer Pro Audio’s X-Phase system. A 1-inch compression driver produces crystal-clear HF which, thanks to the molded Bi-horn, seamlessly blends with the mids. Two 12-inch cone drivers create tight, chest-pumping low end.

The XY-2 speaker is the mid-high section of the XY-3B. Designed specifically for large-scale venues and stadia, the XY-2 can be used for PA applications, as a DJ booth monitor or as a down fill in an XY-3B cluster setting.

The new XY Series speakers will be available from early 2018 at MAPs of $5,500 for the XY-3B and $3,000 for the XY-2.

Watch the introduction video or find out more about the XY-3B and XY-2.

KEY FEATURES OF THE XY-3B

 XY-3WAY-K_prm_angle_no-grill_low_0901-848x1438

  1. Moulded Bi-horn

The 8-inch mid-range driver and the 1-inch compression driver are attached to the integrated waveguide with their depths perfectly aligned to minimize the difference of physical distance and reduce cancellation around the crossover frequency. This unique Bi-horn combines mid and high frequencies in a deep position inside the waveguide, improving the blend of the sounds compared to the performance of a conventional separated horn structure. The waveguide’s curved shape perfectly controls dispersion at 50 degrees horizontal and 35 degrees vertical, providing natural sound with high SPL in the targeted area while reducing the sound pressure outside that area.

  1. X-Phase system with gold X-Phase plug

Driver cone cancellation is minimized thanks to Pioneer Pro Audio’s X-Phase system. The convex shape forces sound waves into small slits which are arranged in a fan shape, allowing all sound waves to exit in perfect phase aliment. The sound waves are forced over the top and bottom of the X-phase plug, producing higher SPL and greater sound projection over long distances.

  1. Hybrid low-mid section

A hybrid dual 12-inch chamber in the low-mid section allows the drivers to produce tight notes. The LF drivers are also coated with a water-resistant finish on both sides, so you can use the XY-3 speakers outdoors. Plus, the added stiffness of this treatment allows the drivers to deliver a natural tightness rather than using thicker speaker cone material which would add weight and slow down the speed of the cones.

  1. Rigging and tour ready
  • Rigging: Flying hardware options are available, along with ground stacking configurations.
  • Tour ready: Every detail of the XY-3 was designed to make it the perfect speaker to take on the road. You can load the speakers into trucks with the minimal amount of space lost, and they can be stacked two-high and four-wide when used with the XY-3 wheel board.

KEY FEATURES OF THE XY-2

XY-2_prm_angle_low_0901-848x1016

The XY-2 is a mid-high speaker taken from the mid-high range horn section of the XY-3B. A yoke is installed as standard and it can be used for various applications including as a PA speaker for large stadiums, a DJ booth monitor, or as a down fill for an XY-3B cluster setting.

Main Specifications

XY-3_3D-STILLS_Shot2-848x477

Type 3WAY Bi-amp loudspeaker
Model (Color) XY-3B (Black), XY-3B-W (White)
Enclosure 15 mm birch plywood
Drivers LF 12 inch neodymium cone driver x 2
MF 8 inch neodymium cone driver
HF 1 inch exit neodymium compression driver
Frequency Response 55 Hz~17 kHz
Sensitivity LF 102 dB
MF 107 dB
Power handling LF 1200 W(RMS), 2400 W(Program)
MHF 200 W (RMS), 400 W(Program)
Max SPL LF 133 dB(cont.), 139 dB(peak)
MHF 130 dB(cont.), 136 dB(peak)
Terminals speak ON® NL4 x 2
Impedance LF
MHF 8Ω
Dimension (W x H x D) 530 mm x 1080 mm x 540 mm
Weight 57.6 kg

 

Type 2WAY Mid-High loudspeaker
Enclosure Polyurethane
Drivers MF 8 inch neodymium cone
HF 1 inch exit neodymium compression driver
Frequency Response 170 Hz~17 kHz
Sensitivity 107 dB
Power handling 200 W(RMS), 400 W(Program)
Max SPL 130 dB(cont.), 136 dB(peak)
Terminals speak ON® NL4 x 2
Impedance 8 Ω
Dimension (W x H x D) 480 mm x 480 mm x 376 mm
Weight 12.5kg

Disclaimer:

* speakON® is a registered trademark of Neutrik® Limited.

* Other stated company names, product names, technology names, etc. are the trademarks or registered trademarks of their respective owners.

Website: http://www.pioneerdj.com/