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Serato DJ 1.9.6 is now available to download!

With this release, Serato has focused on feedback from users to deliver one of their best updates yet.

This release includes:
• Significant DVS improvements including the new Anti-Drift option to stabilize BPM, Smart Sync and improvements to needle drop sensitivity.
• Feature improvements including Favorite FX Banks, Chronological Loops, Reordering Loops and Enable/Disable Hot Cues as an option.
• Pitch Play mappings for supported hardware (requires Pitch ‘n Time DJ license).
• Official support for the Reloop RMX-90 DVS 4-channel mixer.
• Significant stability & performance improvements.
• All Serato DJ Suite free trials have been reset, so users can take another two week trial for free.

Nick Maclaren (Head of Strategy at Serato) says:

“After paying close attention to user feedback over weeks of beta testing, we are now thrilled to officially release Serato DJ 1.9.6.

Our goal for version 1.9.6 was to hone in and fine tune features that are really important to our professional DJ customers.

We’ve added Pitch Play mappings to existing supported hardware, Favorite FX Banks, new Looping options, improved the Needle Drop sensitivity, Sticker Lock, and more.

Lastly, we’ve continued to focus on stability improvements with powerful new audio and memory optimizations to make this our most stable release to date.”

With Serato DJ 1.9.6 , they’ve reset all Serato DJ Suite trial activations to date. So if you’ve already taken a two-week trial in the past, you can now try the full Serato DJ Suite again, for FREE.

This is a great time to test out Expansion Packs like Pitch ‘n Time DJ if you haven’t already.

For more information please visit these Serato blog posts below.

DVS Improvements: https://serato.com/latest/blog/20207/update-196-dvs-improvements-and-additions
Pitch Play mappings: https://serato.com/latest/blog/20208/update-196-pitch-play-mappings
Looping & Performance Enhancements: https://serato.com/latest/blog/20211/update-196-looping-and-performance-enhancements

Pioneer Pro DJ Announces the New DDJ-SZ2

Pioneer DJ has upgraded their flagship Serato DJ controller to create the DDJ-SZ2. Use the new DDJ-SZ2 4-channel controller to get hands-on with the latest additions to Serato DJ, including key shift, key sync, pitch play and Serato Flip. The multi-colored Performance Pads give you instant feedback on pad modes and playing statuses, and thanks to the improved jog wheel latency, scratching is more responsive and precise than ever.

To help you get the most out of the controller, the DDJ-SZ2 comes bundled with the latest version of Serato DJ. The Pitch ‘n Time DJ and Serato Flip expansion packs are also included so you can use several new features including pitch play and key sync.

The DDJ-SZ2 will be available in the U.S.A. and Canada in January 2017, with a retail price of $1,999.00.

Watch the DDJ-SZ2 introduction video.

Learn more about the DDJ-SZ2 controller for Serato DJ.

FREE SERATO VIDEO EXPANSION PACK PROMOTION

Pioneer is putting a voucher for a free Serato Video expansion pack in the boxes of the first 3,000 DDJ-SZ2 controllers that they ship worldwide. This comes along with the Serato DJ, Pitch ‘n Time DJ and Serato Flip expansion packs bundled with the controller as standard, so if you’re one of the first DJs to buy the DDJ-SZ2, you’ll have full control of audio and video performances.

KEY FEATURES OF THE DDJ-SZ2

 

  1. Layout mirrors CDJ-style set-up

Mix and scratch instinctively on the controller, which looks and feels similar to a full professional CDJ + DJM set-up.

  • Big Jogs: Scratching feels natural on the big jog wheels taken from the CDJ-2000NXS2, and the illuminating On-Jog Display gives you information about the current playback status and position for more precise performances. Jog Feeling Adjust, also from the CDJ series, lets you customize the resistance and backspin time.
  • Multi-colored Performance Pads: Use the large, multi-colored tactile Performance Pads to trigger Hot Cues, samples and FX. Hit the pads harder to increase the volume of samples and watch their colors change as they indicate the selected pad mode and playing status.
  • DJM-style mixer section: Stay in control at all times thanks to the simple layout of the mixer section which mirrors the design of the DJM series.

 

  1. Dual USB port for smooth DJ changeovers

Dual USB ports lets you hookup two computers at the same time and use the top-loaded A/B switch for seamless DJ transitions.

 

  1. Native support and dedicated controls for new Serato DJ features
  • Key shift, key sync and pitch play: Use dedicated controls to trigger the new key shift and key sync functions in Serato DJ, which let you adjust the key of tracks and sync the keys of tracks during mixes. Pitch play lets you play your Hot Cues across a range of different keys and assign them to the controller’s Performance Pads.
  • Serato Flip: Create and save Hot Cue sequences to make custom edits of your tracks and use the dedicated Serato Flip controls to play them back at the touch of a button. Get even more creative by skipping or repeating track sections on the fly.

 

  1. Professional performance features and FX
  • Sound Color FX: Spice up your sets with the four popular Sound Color FX from our DJM series; Echo, Jet, Pitch and Filter. You can sync Echo with the BPM of the track that’s playing.
  • Oscillator: Add texture and tension to your tracks with the four oscillator sounds; Noise, Drop, Laser and Siren. Turn the oscillator parameter knob to create new tones.

 

  1. Magvel crossfader

The Magvel crossfader – taken from the club standard DJM-900NXS2 – is the ultimate to mix and scratch with. Accurate and smooth, it’s durable for more than 10 million movements and is liquid and dust resistant.

 

  1. High-quality sound

Hear your tracks loud and clear thanks to the audio circuit inherited from professional Pioneer DJ gear. Contact resistance is reduced by the AC inlet, and the high-performance D/A converter made by Cirrus Logic, Inc., and low jitter oscillator mean the DDJ-SZ2 reproduces clear and powerful sound that’s faithful to its source.

 

  1. Other features
  • Plug and play: Simply connect your laptop and start mixing via Serato DJ. All buttons and controls, as well as the built-in sound card, are Serato DJ-ready.
  • Aluminium-finished top panel and jog wheels: For a quality look and feel.
  • Slip Mode: Silently keeps a track playing during a loop, scratch or Hot Cue. Release the jog wheel and the track comes back at exactly the right place.
  • Needle search pad: Instantly jump to a specific part of a track with a simple touch of the pad.
  • Peak limiter: Controls clipping of the master output.
  • P-Lock Fader Cap: Locks all fader knobs to prevent dropping

 

 DDJ-SZ2 SPECIFICATIONS

 

  DDJ-SZ2
Software Serato DJ
Input ports CD/Line x 4 (RCA)
Phono x 2 (RCA)

MIC x 2

(XLR & ¼-inch TRS Jack x 1, ¼-inch TRS Jack x 1)
Output ports Master Out x 2
(RCA x 1, XLR x 1),
Booth Out x 1 (¼-inch Stereo Phone Jack)

Headphone Monitor Out x 2
(Front ¼-inch TRS Jack,

3.5 mm Stereo Mini Jack)
Other ports USB (Type B) x 2
Sampling Rate 44.1 kHz
D/A Converter 24-bit
A/D Converter 24-bit
Frequency response 20Hz ～ 20kHz (LINE)
Total Harmonic Distortion ratio 0.002% or less (USB)

0.004% or less (LINE)
S/N ratio 111 dB or above (USB)
Headroom 19 dB
Maximum dimensions

（W×H×D）

 870 x 98.4 x 419.5 mm (34.3 x 3.9 x 16.5 in)
Unit weight 10.7 kg (23.6 lbs)

 SERATO DJ SYSTEM REQUIREMENTS

Compatible OS
（Windows®）		 Windows® 10, 8.1, 7 (The latest service pack)
Compatible OS
（Mac）		 macOS Sierra 10.12, OS X 10.11, 10.10, 10.9 (Updated to the latest version)
CPU (32/64 bit) Intel® processer CoreTM i7, i5 or above
Memory 4GB or more of RAM

Serato Video requires a graphics card with 384MB of dedicated video memory
Display resolution Resolution of 1280 x 720 or greater

* Serato DJ is a registered trademark of Serato Audio Research Ltd.

* Windows is a registered trademark or a trademark of Microsoft Corporation in the United States and/or other countries.

* Mac and Mac OS are trademarks of Apple Inc., registered in the U.S. and other countries.

* Intel and Intel Core are trademarks of Intel Corporation or its subsidiaries in the U.S. and/or other countries.

* The names of companies, product names, and technology names mentioned herein are the trademarks of their respective owners.

 About Pioneer DJ

Pioneer DJ Americas, Inc. is the subsidiary of Pioneer DJ Corporation responsible for sales and marketing in North, Central, and South America. For more than 20 years, Pioneer DJ has been a market leader in the design and production of innovative DJ equipment and software. The company works closely with DJs and clubs to deliver next generation products that inspire and shape the global dance music community. Its portfolio includes brands such as Pioneer Professional Audio and Pioneer DJ Radio, rekordbox dj software, as well as social platforms KUVO and DJsounds. Pioneer DJ Corporation is a privately held company headquartered in Yokohama, Japan.

6 Things Your Bride Won’t Tell You (until it’s too late)

By Glen Ervin:

No one likes a bad review. Especially DJs. Especially on bridal sites such as WeddingWire and The Knot. Bad reviews are, after all, bad for business.

How can you make sure your reviews remain largely five stars? Let’s count the ways…

  1. Map out the major moments

Wedding party introductions, first dance, father/daughter, mother/son, bouquet toss, garter toss, last song – most bride’s are quick to let you know what songs they’d like played; few, however, consider the full impact of their choices. Does the bride want to spend a full four-minute song dancing with her new hubby or would she prefer a quick spin? How long is the groom comfortable dancing with his mom, etc.? Never miss the chance to communicate your concern for your client’s comfort prior to the event.

  1. You had one job

I once managed to screw up “Smith.” Yep. There it was on the grand entrance list the bride had given me: “Smyth.” What she failed to tell me – and I failed to ask – was that it was pronounced “Sm-eye-th.” I have since learned to write EVERY unusual name or spelling – first and last – down pho-net-tic-lee.

  1. The more you know the better the show

It’s one thing to see “Hot In Herre” on a client’s playlist and another to hear from the bride that the song “was our high-school jam and will keep my girls on the floor.” Or that anything by Stevie Wonder will be a big hit with the bride’s mom. That info, and a well-timed spin, is your ticket to greatness. Ask for the story behind the songs.

  1. Establish a do-not play zone

While most brides have no problem giving a DJ the leeway to takes requests, don’t hesitate to ask if there are any songs or genres she prefers not to hear. And be prepared to inform guests that the couple has asked that those songs not be played on “their day” – and to immediately offer said guest the chance to make another request.

  1. Pump up the volume (or not)

Check out the room’s layout in advance and place your gear accordingly, preferably square in front of the dance floor. Elevate your speakers above the heads of those sitting and avoid setting your speakers up near tables. Be willing to adjust levels, as needed. Or be prepared to hear about it.

  1. Degrees of Separation

Strained family relationships happen. And can take sudden unpleasant turns if not pro-actively addressed with your bride prior to your event. So ask if there are any divorces, separations or other family matters you need to be aware of in making your announcements.

Showing the utmost care and sensitivity for your client’s most important day is the surest way to leave a lasting positive impression.

Did I miss anything? Let me know in comments…

After being turned out to pasture following a 16-year club residency, Glen Ervin finds himself gainfully employed as Promo Only sales manager, media consultant and staff writer.

Is Facebook Live the end of the DJ Mix Tape? Part 1

By Tony Fernandez

Mix tapes and DJs go together like peanut butter and jelly. The mix tape is a DJ’s calling card. A DJ’s sonic resume. Personally, I come from a point in time when you actually used tape to do a mix tape. But we’ve all made mix CDs… for our girlfriends, boyfriends, travel tunes, business cards, promotional showcases — the uses are endless.

Fast forward to our current state of affairs: SoundCloud, Mixcloud, Facebook, Facebook Live are all great vehicles that allow DJs to share their talent with the world. However, there is conflict in the air. The waters are churning. There is strife between the DJ world and the digital world. The same vehicle(s) that have allowed DJs to share their vision and skills with the world are now clamping down on the sharing and showcasing of those skills.

I am not a lawyer, nor do I play one on TV, but I did have the following facts checked by a lawyer (who is also a DJ, producer, and copyright holder), so as to simply and correctly explain why mix tapes and the streaming of those mixes are being removed.

Let’s dig in….

DJs need to realize that the music they mix, play, use, and purchase is not “your” music. It’s natural to draw the conclusion that because you have purchased a song you’re allowed to play it publicly in a DJ set. Well, according to U.S. copyright law, this is incorrect.

There are several types of rights copyright owners must obtain under the law to distribute musical works, all of which are exclusive, including:

  • Public Performance (transmitting or performing the work in public)
  • Reproduction (copying/duplicating)
  • Digital Performance (internet streaming)

With that information in hand, we can move forward and explain why DJs aren’t allowed to post, stream, or share their mixes.

When a DJ spins at a nightclub, it’s incumbent on the venue to make sure they have a license for public performance. This license is acquired from the PROs (performance rights organizations). When the venue has a public performance license, it means that DJs can play recorded music registered with the PRO.

Radio stations pretty much work the same way. The difference is the radio stations license is for broadcast. Their license authorizes the radio station to play music on public airwaves.

Streaming services do not have a clear relationship with PROs. When a DJ creates a live stream and starts broadcasting music on the internet, that DJ becomes, in effect, a radio station. As such, he or she needs to have the appropriate licenses.

No licenses, no stream.

This is, unfortunately, where we find ourselves today – at the crossroads of artistic expression and the rights of copyright holders.

It’s apparent that copyright laws are falling behind: DJ sets are not a protected form of free speech. Our sets don’t generally fall under “fair use”.

As such, copyright takedowns happen.

What can you do about it?

Stay tuned for Part 2…

Based out of Richmond, VA, DJ Tony Fernandez has been a DJ, Remixer, Producer, Musical Soothsayer and Audio Gear Oracle since 1980. Find him on facebook. Email djtonytf@gmail.com

5 Must-Have Apps That Have Made Me More Money

By Brian Buonassissi:

As a small business owner, I’m all about finding the best way to maximize my time and my revenue. Thanks to ever-evolving technology, I’ve come across a few things that have allowed me to both gain some “time back,” without having to hire someone, and make more money along the way.

In no particular order:

TINY CALENDAR

This is an app that syncs with Google Calendar. Google’s calendar app is not user-friendly so I prefer this app instead. I have all of our employees on it and we share our calendars with one another so when we need to schedule meetings, etc., we can manage it all very easily without having to e‐mail, call or text repeatedly. It also keeps me personally organized. With everything being stored online, I never have to worry about losing a paper calendar, journal, etc. I use the free version and it suits my needs perfectly. They have a pro version that you can get if you need it.

WUNDERLIST

This free app is amazing! It’s a to-do list. You can have as many to-do’s as you want and since I have 30 or so employees, I can easily assign tasks, etc. You can also use this online from a computer rather than your phone, if need be. I have multiple lists going and it is a perfect complement to Tiny Calendar.

SLACK

I wanted to find a communication tool that allowed my team and I to communicate easily without having to do so through e‐mail on everything. Enter Slack. I use the free version and it was a game changer for my business. The standalone app is fantastic but also has a desktop app for those who stare at a computer screen all day. If you are a multi‐op, this is a MUST for you and my #1 recommendation.

HOOTSUITE

Wanna be a social media ninja without having to stay online all day? This will manage all of your social media content and will allow you to pre‐schedule posts on all the major social networks. I usually schedule all of mine for a week prior. If something needs to be added last minute, I can jump in and post via the social network of choice. I use the free plan with this as well. To date, this has saved me from having to find a social media person and makes it appear as if I post regularly.

LIVECHAT

This is one the paid service I use. This is a stand‐alone app and works with just about every website type out there. It’s a sales tool and you can capture leads immediately. If you aren’t using this, you need to start. You can turn it on/off at any time. I’ve booked too many shows to count with this service.

These are my Top 5. What about you? Are you using something not on this list?

 

Based out of NYC, DJ Brian B is a successful internationally traveling private event DJ/MC. He runs a multi‐city mobile DJ/event business with offices in Orange County, Calif, Destin, FL and New York City. You can check him out at djbrianbofficial.com or bboyproductions.com

Mixing as a DJ

By: Tony Fernandez

First, a DJ must have a passion about music. That’s what usually gets us going down the path of becoming a DJ: a love of music. Along the way we learn programming matters. We figure out that if you line up certain songs in a certain way, you have great crowd responses. We learn to read a crowd; another skill that once developed is indispensable in being able to command a floor / room.

Which brings us to an often-overlooked skill set every DJ should have in their arsenal: mixing (and to a little venting about those DJs who, sadly, couldn’t care less about it).

I believe mixing is something intrinsic to being DJ, a skill so fundamental, so integral, so elementary, and so organic (I’ll lay off the thesaurus now…) that I can’t fathom being a DJ without the ability to blend songs together. Why would anyone shun the ability to make themselves better, make their work better, and to set themselves apart from other DJs?

Mixing allows for a smooth, harmonious and melodious transition from one song to another. Mixing ensures there’s no “dead air” from song to song. Mixing grants your floor / crowd an uninterrupted progression of the musical journey you’re working so hard to create.

Do you want to represent yourself in the best possible way and let the music / mixing speak for your endeavors? Would you rather sound like a bunch of sneakers in the washing machine, or worse — like the local Clear Channel radio station? (Yes, I know Clear Channel is a thing of the past. That’s why I used that name. My lawyers said it was kosher.)

I once had a gentleman point out to me the “history” of DJing, going back to the 1930s. He mentioned prominent names and cited historical dates as hallmarks to bolster his position that these early pioneers were perfect examples of why it wasn’t necessary to concern ourselves with a trivial 3-5 seconds of meshed music.

Well, that is all well and good, but doesn’t mean squat. With all due respect to those pioneers, mobile DJs and club DJs aren’t partying like it’s 1929; today those “deejays” would be called radio personalities. I’ll acquiesce that I can’t do what they can do. I also say with 110% certainty, most radio personalities can’t do what today’s DJs can do.

I’ll challenge ANY DJ to pick 10 songs, that’s 9 segues.

Test A: Don’t mix a lick. Blend, don’t blend, and try to avoid having 4 out of 9 of those segues sound like straight up train wrecks that would have even Marlee Matlin grimacing.

Test B: Mix the tracks in a linear, harmonious fashion.

Then tell me how the floor reacts to each test.
I’m not a betting man, but I’ll lay heavy money the people in Test B are going to have a better experience than the people in Test A.

My point in all this: Learn your craft. Get your fundamentals down pat. If you don’t know how to mix, learn. It’s not that difficult. If I can do it, you can do it. You don’t have to be the Michael Jordan of mixing. Kevin McHale had a Hall of fame career off the bench.

Any mixing is better than no mixing, kinda like sex. Something simple, clean, quick and musical. It doesn’t take much. If you’re not mixing, you’re not DJing (yeah I said it.) Heck, there are apps on your phone that can mix.

There’s no excuse for a professional DJ not to mix. That’s what the Sync button is for.

Now go out there and learn something.

Based out of Richmond, VA, DJ Tony Fernandez has been a DJ, Remixer, Producer, Musical Soothsayer and Audio Gear Oracle since 1980. Find him on facebook. Email djtonytf@gmail.com